We do not accept submissions by email. We accept submissions from September 1 to April 30. Please note that we are now only accepting submissions via our online submission management system. Submissions via mail or email will be discarded without response. Submissions must be in Microsoft Word (DOC or DOCX formats). The author’s name and address should appear on the first page of the manuscript. We accept simultaneous submissions as long as we are notified at the time of submission, and we expect to be notified promptly if the work is accepted elsewhere.
“Coming to adulthood after the decline of the Civil Rights and Black Power movements of the 1950s and 1960s, contemporary Black youth grew up during a period of initial promise, profound change, and, for far too many, heart-wrenching disappointment,” asserts Patricia Hill Collins in From Black Power to Hip Hop: Racism, Nationalism, and Feminism. The proposed edited volume will include interdisciplinary essays that consider this generation, particularly in relation violence and the young black body in the public imagination. Graphic knowledge about violence against African American children and the circulation of images and information during the 1950s and 60s, including around the murders of Emmett Till and the four little girls of the Birmingham church bombing, served as a catalyst for many citizens involved in the Civil Rights Movement and shaped the consciousness of an entire generation. What has happened to the reception of the violated black child since this earlier historical moment? This issue will focus on texts that depict children who come of age in a period when the dominant representations of violence against the black child's body in the cases of the Atlanta Child Murders, Latasha Harlins, Girl X, Tawana Brawley, Trayvon Martin, and Shaniya Davis, among others, evoked much different responses within local communities and the larger culture. The essays will also explore creative and cultural texts that address public reception, collective memory, and traumatic legacies related to violence against African American children from 1970s-present.
Violence and Black Youth in Post-Civil Rights U.S. intends to engage recent scholarship on race, the body, and violence, including Harvey Young’s Embodying Blackness: Stillness, Critical Memory and the Black Body, Carol E. Henderson’s Scarring the Black Body: Race and Representation in African American Literature, Debra Walker King’s African Americans and the Culture of Pain, Lisa Woolfork’s Embodying American Slavery in Contemporary in Contemporary Culture, and Jennifer Griffiths’ Traumatic Possessions: The Body and Memory in African American Women’s Writing and Performance.
It will also address a critical gap in this work around the figure of the African American child in late twentieth-century cultural productions and extends the analysis of work that focuses historical, cultural, and literary representations of African American children within the 19th century through mid-20th century, such as two recent books: Robin Bernstein’s recent Racial Innocence: Performing American Childhood from Slavery to Civil Rights and Anna Mae Duane’s Suffering Childhood in Early America: Violence, Race, and the Making of the Child Victim.Accepted Document Types: doc, docx, jpg, gif, tiff, pngSubmit »
Jazz poetry delivers keenly the feelings, sounds, compositional genius, performance, politics, history, and creative spirit reflected in this music – all the way from Langston Hughes’ “Jazzonia” and “Ask Your Mama” to the jazz poetry collection Jazz Fan Looks Back by Jayne Cortez. Recent examinations by T.J. Anderson (Notes Make the Sound Come Right: Four Innovators of Jazz Poetry), Meta DuEwa Jones (The Muse is Music: Jazz Poetry from the Harlem Renaissance to Spoken Word), Jennifer D. Ryan (Post-Jazz Poetics: A Social History), Jean-Phillippe Marcoux (Jazz Griots: Music as History in the 1960s African American Poem), and continuously available anthologies point to a long and important literary tradition. Lest we forget the essential “Coltrane poem” scripted by many, especially Michael Harper, Sonia Sanchez, Gil Scott-Heron, Haki Madhubuti, Larry Neal, and Amiri Baraka among so many others.
Submissions are now being accepted for the online Jazz Issue of Obsidian to be released in Fall 2014. Poetry, short fiction, essays, digital video of jazz poetry performances/spoken word, and visual art are all welcomed to this improvisation.
Deadline for submission: April 30, 2014.Accepted Document Types: doc, docx, mp3, mp4, m4a, wav, mov, avi, mpg, 3gp, flv, webmSubmit »
- Submissions should be no longer than 20 pages in length and double-spaced. Citations and work cited should follow MLA style. For additional information consult, http://www.mla.org.Accepted Document Types: doc, docxSubmit »
- Please send no more than five poems. All poems must be in a single file.Accepted Document Types: doc, docxSubmit »
- Please number each page of your manuscript. Submissions should be no longer than 20 pages in length and double-spaced.Accepted Document Types: doc, docxSubmit »